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Performances in N.Y.C. Advertisement Supported by Critic’s Notebook The Cleveland Orchestra’s staging of Mozart’s “The Magic Flute” was a reminder that ensembles can help fill the gap as opera grows ...

On Simon McBurney’s production of Mozart’s opera at the Met. In a review, productions often have pride of place—this goes double, or triple, for new ones. Singing and playing are afterthoughts. With ...

When it comes to a work that is more than 200 years old, it’s hard to imagine there’s any surprises left. But if you happen to find yourself with a ticket to the Seattle Opera performance of Mozart’s ...

THE MAGIC FLUTE, an opera by Mozart with spoken dialog, shortened and sung in English with projected subtitles, conducted by JoAnn Falletta, stage directed by Paul Mockovak and Julie Newell, with Adam ...

CLEVELAND, Ohio – The first time Austrian theater and opera director Nikolaus Habjan heard “The Magic Flute,” at age 4, he was smitten, transfixed. He was a busy, restless child, but when he ...

When conductor Louis Lohraseb and director R.B. Schlather first fell in love with Mozart’s “The Magic Flute,” they were children captivated by its wonder and humanity. Decades later, the two artists ...

Performances in N.Y.C. Advertisement Supported by Critic’s Notebook Joana Mallwitz is in calm, stylish command making her debut with Mozart’s “The Marriage of Figaro,” running in repertory with “The ...

From the 23rd to the 24th, a program centered on Mozart's opera The Magic Flute will run. On the 23rd, there will be a ...