The Indianapolis Symphony Orchestra, Dance Kaleidoscope and the Indianapolis Symphonic Choir presented the fully-staged version of Maurice Ravel’s symphonic ballet "Daphnis et Chloe," considered one ...

Swapping out ballet for circus is a bold move but maybe that’s just what the Southbank Centre’s Multitudes festival is all about as it sets off on a mission to present orchestral music in a new light.

Ravel's work was choreographed by Frederick Ashton for a staging by Sadler's Wells Ballet (now The Royal Ballet) at Covent Garden on 5 April 1951, with Margot Fonteyn as Chloe and Michael Somes as ...

After his hugely entertaining Hobson’s Choice last week, here is a double bill of Antiques Roadshow Ashton that it's unlikely today's Royal Ballet (trying so consciously to be hip) would think of ...

Ravel's magical orchestration and subtle sensuality bring an aura of poetry to this pastoral drama. Jean Martinon guides the Chicago Symphony in... Pastoral Passion: Ravel's 'Daphnis and Chloe' ...

Diaghilev’s initial reaction to Daphnis et Chloé, documented in Jean-François Monnard’s excellent booklet-note, was ‘Ravel, it is a masterpiece, but it is not a ballet. It is a painting of a ballet.’ ...

Pacific Symphony will present “Shelley Conducts Carmen and Daphnis and Chloé” from November 20–22 at the Renée and Henry Segerstrom Concert Hall. Artistic and music director designate Alexander ...

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As far as I’m concerned, seeing Daphnis again is worth hours of travelling. Created in 1951 for Fonteyn, it is rarely done, mostly because it’s nearly an hour long and has a score that demands a fine ...