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2000×1333
www.artshub.com.au
Vale John Marsden
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Theatre review: The Mousetrap
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Male artists dominate galleries
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Vale painter Peter Kingston
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Why do Australians love Egyptian blockbusters ... still?
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How festivals transform lives – and landscapes
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Exhibition review: Pharaoh, NGV International
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Musical Review: Chicago, Crown Theatre, WA
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Opera review: HMS Pinafore, G&S Fest
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How do artists work with global brands?
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Theatre review: The Inheritance, Seymour Centre
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Queensland Theatre appoints local talent Daniel Evans as Artistic Director
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Musical review: Hamilton, Sydney Lyric Theatre, The Star
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Theatre review: Made in China 2.0, Malthouse
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Exhibition review: Louise Bourgeois, Art Gallery of NSW
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Theatre review: Fences, STC Wharf 1 Theatre
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Theatre review: Love Stories, QPAC
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Theatre review: Trophy Boys, fortyfivedownstairs
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WASO embraces new venues and new programs in its 2025 season
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From cyclone tragedy to cultural celebration: Darwin Festival ...
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Schools Spectacular will celebrate 40 years of school performing talent
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Going for baroque in 2025: Australian Brandenburg Orchestra celebrates ...
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Arts festivals and events calendar 2024
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Why the Queen was a good ‘subject’
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Why we need more Indigenous literary editors
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Egyptian fans account for biggest cultural spend in 23-year history
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Australian Pavilion wins Golden Lion Award at Venice Biennale
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Who are the 2023 Archibald, Wynne and Sulman winners?
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Theatre review: August: Osage County, Belvoir Street Theatre
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Performance review: Mr Snotbottom, FRINGE WORLD
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Musical review: Tina – The Tina Turner Musical, Theatre Royal
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Theatre review: Well-Behaved Women, Belvoir St Theatre
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Q&A: Introducing Thea Baumann, 4A's new CEO
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First Australian female artist in history of summer blockbusters
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Culture as a 'global public good': MONDIACULT 2022
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